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Sporthorse
Terms

1. Acceptable bits: the
United States Dressage Federation maintains a list of bits which are
legal for use in dressage competitions, and dressage phase of
eventing. These are snaffle bits with a simple joint, French, or
Bristol mouths. The curb bits are generally of lower port and shank
style than most show horse bits. Wire snaffles, mule bits, and
bicycle chain bits are expressly forbidden.
2. Athletic: demonstrates
coordination, range of motion in all joints, and is balanced in
movement.
3. Bascule: the correct arc
that a horse makes over a fence, using their head, neck and back,
and drawing their knees up evenly, and "beneath their chin". The
horses' entire outline should reflect a curve- like a rainbow.
4. Built uphill: the horses
withers are set higher than the highest point of the croup- American
Saddlebreds are quite often built this way, as opposed to Quarter
Horses and Thoroughbreds, that are often "high-hipped"- the reverse
of "built uphill". It is felt that a horse that is built uphill will
be more inclined toward self-carriage.
5. Clocks: used to describe
jumping rounds, implying that the horse was on autopilot- "that
horse just clocks around a course".
6. Correct: generally
refers to legs- straightness and symmetry of front and hind feet an
legs- open heels and matching hoof angles.
7. Cracks his back: a horse
that uses his head, neck, and back in an extremely athletic manner
over a fence- these horses are not easy to sit on over a fence.
8. Daisy cutter: a horse
that glides over the ground with a "toe flicking" movement- no
motion- preferred in show hunter prospects.
9. Fancy: an attractive
horse or pony that is a good mover and good jumper for the show
ring.
10. Half pass: is a
movement performed in competition in the trot and canter. The horse
must maintain a correct bend in the direction that it is traveling,
and move forward at a correct pace.
11. Hollow: used to
describe a way of moving or a jumping style in which the horse is
not rounded.
12. "Jerks his knees": the
ability of a jumper or hunter to pull their forearms up above level
(90*) over a jump
13. Impulsion: the natural
tendency of a horse to want to move forward from the leg without
undue aids- the horse should not run from the leg either, but
rather, wait to be asked to move forward.
14. Lateral work: work
which is done on an angle, as opposed to a straight line. In lateral
work, the horse must cross their legs, to some extent. In correct
work of this kind, a horse is expected to move forward as much as
sideways.
15. Leg yield: a basic
lateral movement where the horse moves sideways, maintaining a
parallel line to the outside of the arena. This is the only lateral
work where the horse is not required to bend in the direction that
he is going.
16. Lengthenings: the
beginning of asking a horse for extended gaits. A lengthening should
show a horse making the stride longer- not faster- the highest form
of a lengthening is an extension- where the horse should appear to
float in the gait.
17. Line: a sequence of
fences.
18. Mannerly: For this
purpose, refers to a horse that will stand to be mounted from the
ground, is not girthy, mouthy, etc.
19. Moves from behind: the
horse has an active, driving hind end, and steps up under himself to
push forward.
20. Moves uphill: the horse
steps up under itself, and transfers weight from the forehand to the
hindquarters.
21. On the bit: the horse
maintains a consistent and even contact through the reins to the
rider.
22. On the muscle:
describes a horse that is full of himself, and may play and run
through the bridle.
23. Over-bent: refers to a
horse that is trying to avoid the bit by over flexing at the poll OR
to a horse that is moving his head and neck to the inside of a
circle, but keeps his body in a straight line (as opposed to having
his entire body reflect the diameter of the circle).
24. Over-track: tracks of
the hind feet exceed those of the forefeet in the gait.
25. Packer: a horse that
know his job well enough, and is honest enough, to take care of his
rider.
26. Pirouettes: a turn in
place done in the rhythm of the gait. The horses hindquarters should
stay as close to the center of the circle that is created as
possible. Walk and canter pirouettes are required movements in third
and fourth level, respectively (check).
27. Round: describes the
arc that a horse makes over a fence (head and neck stretched
forward, good propulsive effort from behind). In dressage, this
describes a horse that is tracking up, engaging the hindquarters,
and holds its head and neck in the proper arch.
28. School Master: a
dressage horse that knows his job well enough to teach it.
29. Self carriage: the
ability of a horse to balance themselves, with minimal aids from the
rider, in a correct frame.
30. Short girth: many
dressage saddles are made with long billets, and therefore require a
short girth, as opposed to short billets, and a regular girth. The
purpose is mainly to move the buckles down out of the riders way,
and allow for greater comfort and contact.
31. Simple change of lead:
in dressage, these are executed through the walk, as opposed to
Saddle Seat, where the horse is halted before commencing canter on
the other lead.
32. Suspension: is most
easily understood as "hang time" in a horses movement- much like the
movement of a horse that is flagged.
33. "Swaps his leads":
describes a horse that knows how to do flying changes of lead at the
appropriate point in a course.
34. Tempi changes: a
dressage term, these are flying changes of lead. The horse must
complete the change of lead in stride- both front and back- and stay
as straight as possible. In competition, they are executed every
fourth, third, second and every other stride. These are commonly
called "fours, threes, twos and ones".
35. "Ten" mover: a hunter
that moves with a ground covering low stride, often with a bit of
suspension.
36. Through: dressage term
indicated that a horse is engaging and using its body from
hindquarter "through" to the hand.
37. Topline: a horse's
profile from ears to tail.
38. Tracks up: the hind
feet drive forward into, or past, the tracks of the forefeet
indicating greater hind end activity- not usually possible or
desirable for a horse in show shoes.
39. Cold backed or girthy:
these are terms that are not exclusive to show horses. A cold backed
horse would be one who is not immediately comfortable when a rider
mounts, and might "hump up" in their back- a girthy horse is one who
is not comfortable with a tight girth, and the girth either needs to
be kept loose, or tightened after the horse warms up .
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Showhorse
Terms

1. Bitting rig: a surcingle
with side reins attached. Used in the stall, loose in the ring or
arena, or on a lunge.
2. Bounce walk: three and
five gaited horses are expected to execute a two beat gait that is
essentially an animated jog, rather than a flat footed walk.
3. Canter aids: for a show
horse, the horse is turned toward the rail, from a walk, and the
outside leg signals the canter.
4. Cold backed or girthy:
these are terms that are not exclusive to show horses. A cold backed
horse would be one who is not immediately comfortable when a rider
mounts, and might "hump up" in their back- a girthy horse is one who
is not comfortable with a tight girth, and the girth either needs to
be kept loose, or tightened after the horse warms up.
5. Colt bridle: a bridle
with a running martingale and two sets of reins (one above the
martingale rein), or German martingale, with a snaffle bit attached.
6. Cut tail: a show horse
in most divisions is expected to have their tail up over their back.
In order to accomplish this, muscles on the side of the tail are
cut, allowing the tail to go up. The tail is kept in a tail set, in
order to keep these muscles from growing back in. Tail straightness
and length are extremely important to the show horse aficionados.
7. Dumb jockey: a training
device with a surcingle which has a pole coming out of the top,
allowing reins to be attached at a higher placement than is possible
with a plain surcingle.
8. Flat shod or in plates:
indicates a horse with a keg shoe on.
9. Forward-headed: A neck
set which does not easily allow a horse to carry the underside of
their neck perpendicular to the ground when working.
10. Full bridle: a bridle
as used on show horses, with a snaffle and curb bit on it, two sets
of reins, and a bradoon hanger for the snaffle bit. Usually, a
colorful browband and occasionally, a matching caveson are used for
showing.
11. Game: a horse with an
intense desire to please and go forward. This is very desirable in a
high quality show horse.
12. Good order: a horse
that is in acceptable weight and condition. High order could be the
best type of condition, and "no kind of order" is an example of a
phrase describing a horse in poor condition.
13. Harness horse: refers
to a fine harness horse- these horses typically must have high
collected animated motion. They are judged at the walk, trot and
park trot ( a slightly stronger trot).
14. Hingey: indicates a
horse that has the conformational ability to set his head in a show
horse headset. Usually this would include a somewhat "S" shaped
neck.
15. Hocks: the ability of a
horse to use their hind end. A horse who pulls their legs up,
closing the angle on all hind end joints would be desirable.
16. Hooky or double hinge:
refers to a horse with whose neck has almost an "s" curve to it,
allowing them to pick up their head higher, and set their chin
closer to their chest. For show horse purposes, the underside of the
neck should be perpendicular to the ground.
17. Jog: driving a horse
using a jog cart- a sulky like cart usually with bicycle tires. One
of the preferred ways of working show horses.
18. Long line: ground
driving a horse with two lines- can be done on a circle, or up and
down an arena wall. Usually referred to as "lining"- a preferred
method of working show horses.
19. "March a trot": used
when a horse has the ability to demonstrate correct motion in front
and hind ends, at a correct cadence.
20. Motion: the ability of
a horse to lift their legs. "Level" describes motion that has the
horses forearm parallel to the ground.
21. Necky: refers to a
horse with a longer, more swanlike neck.
22. Oily: describes a horse
with seamless, smooth movement.
23. Park out: originally
for ease of mounting when ridden, and to exaggerate the desirable
flat top line for showing a horse on the line or in photos, the
American Saddlebred stance shows the horse with his front legs
essentially perpendicular to the ground, and his hind legs placed
well behind him, and square with one another.
24. Rack: the second of the
"man made" gaits- a fast animated four beat gait without a tendency
to being lateral or pacey.
25. Shatner horse: refers
to a western division designed for horses who are not expected to
have a lot of front or hind end action, but with good manners. This
division has several classes including obstacle classes, much like
trail classes at western shows. These classes take their name and
inspiration from William Shatner.
26. Show shoes: usually
hand made shoes with toes clips that are put on with one or more
leather pads. Each horse is custom shod to best aid them in the
desired movement.
27. "Sight" (to behold): a
common description for an exceptional horse- "he is a sight".
28. Slow gait: the first of
the "man made" gaits- a slow, animated four beat gait. This gait
should not be pacey.
28. Soft or low in the back:
a horse who has a sway back. This can be of varying degrees- soft
would be the least dramatic of these. Show horses can still be quite
talented with a low back. Usually due to the presence of Lordosis.
29. Stretchies: also called
"shackles" or "do-gooders" or "developers" are ankles straps,
usually covered in sheepskin fleece, with dee rings, and a length of
surgical tubing tied between them. This training device is used to
develop the front end of a horse, causing them to draw their knees
up higher and tighter, and move with greater suspension.
30. "Tie" a class: this is
the order that the ribbons are awarded in a class- as in "he tied
sixth" or, in the case of not receiving a ribbon "he tied out".
31. Walk-trot: a three
gaited horse- these horses are shown with a roached mane, and a tail
with the base trimmed. They should be very refined, and are shown at
the walk, trot, and canter. The walk should be animated- the trot
high and floating, and the canter slow and rocking.
32. Ways of the ring: show
horses are worked and shown on the left rein- the first "way" of the
ring when starting a workout, and on the right rein, the second
"way" of the ring after this.
33. Wears Himself:
indicates a horse that sets his head in the proper frame for show
horse work.
34. Wears his ears right: a
show horse is expected to have their ears forward at all times in
the ring, and while working. A horse that "never backs an ear" or
"never turns an ear" would be the equivalent.
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